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Internationale Poetry-Biennale  -  Filmfestival  -  Salon  -  Netzwerk

Samstag, 26. Oktober, 21.30 Uhr

Hannah Oppolzer
(Wien / Vienna)

Hannah Oppolzer, geboren 1999, studierte Germanistik (BA) in Wien und absolviert derzeit das Masterstudium Literarisches Schreiben und Lektorieren an der Universität Hildesheim.

Ihr Debütroman Verpasst wurde 2023 im Braumüller Verlag veröffentlicht. Für ihre literarischen Werke hat sie bereits mehrere Auszeichnungen erhalten, darunter den Kulturpreis des Rotary Clubs Baden bei Wien 2024, den Dombrowski-Stiftungsfonds 2019, zahlreiche Arbeitsstipendien des Bundesministeriums für Kunst und Kultur Österreich und zwei Aufenthaltsstipendien in Italien im Jahr 2023. Im November wird ihr der Anerkennungspreis in der Sparte Literatur ihrer Heimatstadt Baden bei Wien verliehen.

Neben einer umfangreichen dystopischen Trilogie für junge Erwachsene, an der sie seit ihrem 13. Lebensjahr arbeitet, schreibt sie derzeit an ihrem zweiten Roman.

 

⇒ MIDNIGHT POETRY Featuring poets of the partner organisations of the EPESEP project

Hannah Oppolzer, born in 1999, studied German language and literature in Vienna and is currently studying Literary Writing and Editing at the University of Hildesheim. Her

debut novel Verpasst was published in 2023. She has received several awards for her literary works, including the Culture Prize of the Rotary Club Baden bei Wien 2024, numerous working scholarships from the Federal Ministry of Arts and Culture Austria and two residency scholarships in Italy in 2023. In November, she will be awarded the recognition prize in the literature section of her hometown Baden.

 

  

Fotoatelier Schörg

A question: Where do all the ideas fall
that have not been lived? Are there cracks in time,
where they disappear?

Emma's mother

What can change overnight? The weather: Sunny today, rainy tomorrow. The body: healthy today, sick tomorrow. The vegetables: fresh today, rotten tomorrow. These are mobile things.

The size of a room, however, is an immovable thing. Nevertheless, the room of barely twelve square meters has rarely seemed so spacious. But perhaps it is she who has become smaller.

She lies in her bed, her eyes scanning every corner. In fact, everything seems the same as always. Her body fits the bed proportionally and the bed fits the room. She has not shrunk like Alice.
But.

When she woke up, something was different. Bigger and further away. As if all the people in her life had set to work overnight with hammer and chisel to enlarge the room, or as if it had undergone a supernatural expansion. The pale yellow walls had constricted her anyway.

Perhaps she should not have been thinking so much about the child. That had always been her problem: thinking too much, overthinking things. Maybe that is why she has been disappointed so often.

But as soon as she thinks about the child – and she has been doing that a lot lately, because there is nothing that does not remind her of Emma – it makes her angry that her daughter had to leave her mark everywhere, leaving nothing untouched, touching, moving, and overturning everything, rearranging it, and painting it with her colors. Nothing was safe from her, everything revolved around her. Even her own attention only revolved around this little person who called her mommy. 

Mommy.

When she thinks of the child, her thoughts spin like a carousel. It only spins for her alone. Finally, she thinks, finally something is happening just for me. It spins and spins, and somewhere her daughter is sitting, entangled in a zoo of lifeless animals, on a plastic horse whose body is pierced by a pole, against which her sweaty, sticky child's hands are rubbing.

What can change overnight? Femininity: today a woman, tomorrow a mother. But that, she thinks, should be one of the immovable things. She knows that she had had nine months to prepare for this.
The pillow in her neck puts too much pressure on her cervical spine. She can feel her back stiffening and knows that she has to change her position if she does not want to be in pain like an old woman later on.

She knows her body well. She understands its signals, just as she did when she was five years old, walking across a footbridge and suddenly felt a stinging pain in her neck. She stopped and for a moment held the wasp between her fingers, before something buzzed close to her ear. She did not cry out, but let the animal fly away and then scratched the swelling sting until it began to bleed. The poisoned blood flowed out of her body, and she pressed her shirt onto the wound. In the evening ice cubes wrapped in a cloth soothed her pain. She was very proud of herself at the time.

She sits up in bed, pulls the covers aside and a cold wave of air hits her feet, hot from sleep. As she stands up, the floor moves further and further away from her, the more upright her spine. No dizziness, no throbbing at the back of her skull, no hint of a migraine.

She reaches the window far too quickly. Is the room not as big as it seemed a moment ago, or have her senses been playing tricks on her?

...

  

from Verpasst